Spiritual Dangers of Rock Music.
Current Cataloging includes:
• 12 Quoted Testimonies (w/ 2 Dream Testimonies)
• 5 Backward Masked Songs
• 2 Video Testimonies
[Lindsey, Hal (1972). Satan is Alive and Well on Planet Earth (p.92-93). The Zondervan Corporation]
7: Mind Manipulators
MUSIC . . . FOR THE MASSES
Satan works subliminally in the area of music. We are being bombarded, and we don't know what is hitting us. I was astounded as I began to study this subject. Basically I'm ignorant about music, and yet I realize that it is a powerful means of provoking emotions. Henry Thoreau, the new-old hero of many youth, prophesied in Walden: "Even music may be intoxicating. Such apparently slight causes destroyed Greece and Rome, and will destroy England and America."
I heard a professor of sociology speak on trends in music, and about rock in particular. This man was not an ivory-tower member of the academy speaking without experience. He was a member of the musician's union and had been a professional trumpet player for fifteen years. He explained that harmonic and rhythmic fabrics of rock music are critically important. And it's not necessary to comprehend the intricacies of music to understand what's being done with it.
This former jazz man described how changes in rhythm and other musical techniques can be used to sell attitudes and concepts. Many of Pavlov's experiments were conducted with a metronome to research the effects of rhythms as a conditioning agent.
By changing the rhythm within a musical piece, you may have a strong impact on the listener. The subconscious effect is to push the message more strongly.
The ability of music to excite and incite is nothing new. In primitive societies music's chief function is arousing emotion and action. However, in civilized countries music is more a means of communicating pleasurable emotions, not creating havoc.
Today, in some of our popular music at least, we seem to be reverting to savagery. The most dramatic indication of this is the number of times that rock concerts have erupted into riots.
I'm not trying to blast all modern music, but I think we should be aware of the fact that Satan can use it as his tool to pull us away from God and into chaotic thinking.
[Pittman, Howard O. (1980). Demons: An Eyewitness Account (p.41-42) The Philadelphian Publishing House]
CHAPTER 6 PARAPSYCHOLOGY
In the music trade this is called a "subliminal message" and is referred to as "backward masking". This masking is evident only to the conscious mind when the record is played backwards. When the record is played in the normal manner, the message, of course, is not discernable to the conscious mind. You may prove to yourself the truth of what I say. Take one of the records with a subliminal message on it; put your phonograph in the neutral position and turn the record backwards with your finger. The message will then be loud and clear.
Astoundingly, these Satanic types of subliminal messages have even been implanted on records that, superficially, appear to be of a religious nature. One of the first rock groups to use this method in an attempt to influence the minds of the young people was the Beatles. Tom Gondolf, chief engineer for Goodnight Audio, said, "The Beatles used to put backwards voices on their records all the time."
"The Lucifer of Rock"
In today's modern rock groups, Mick Jagger is considered to be the leader of the Satanists. By those in the business, he is known as "The Lucifer of Rock." The Stones' song, "Sympathy for the Devil", has become the unofficial anthem for the Satanists.
Another of the groups, the Black Oak Arkansas, has a song entitled "The Day Electricity Came to Arkansas." When played backwards the song says, "Satan, Satan, Satan, He is God, He is God, He is God." This group, along with others such as The Led Zeppelin, Fleetwood Mac, The Eagles, and The Rolling Stones are all into the occult.
In the cases where the rock groups are really trying to subvert the minds of the young people, this is their out-right attempt to destroy the youth's morals and lead them into drugs and open sex. Sometimes, even the name of the group will give an indication of the motives of the group, for example, the group known as AC-DC is a Satanic "S." AC-DC has songs entitled, "Hell Ain't Such A Bad Place To Be," "Highway To Hell," and "Hell's Bells."
Led Zeppelin has a song called "Stairway to Heaven" and that song, when played backwards, says in part, "I will sing because I live with Satan," Another part of the same song, when played backwards, says, "There's no escaping it, my sweet Satan. The one will be sad who makes me sad, whose power is Satan." Played normally the song says, "If there's a bustle in hedgerow don't be alarmed now. It's just a spring clean for the May Queen. Yes, there are two paths you can go, but in the long run there's still time to change the road you're on."
When the forward message and the backward message are put together in the unconscious mind, one could be influenced to believe that the path to choose would be the path to Satan...
[Godwin, Jeff. (1985). The Devil's Disciples: The Truth About Rock (p.299-300, 310-311) Chick Publications]
Chapter 12 Breaking Satan's Grip
...The first step is realizing that addiction to Rock & Roll is a form of demonic possession, and also seeing that those same demons can be thrown out of the hearts and minds of our young. Christ cast out demons all through the Gospels, as did [H]is disciples.
One area that MUST be examined at this point is the spiritual warfare that you as parents are going to come up against as you try to remove the curse of Rock & Roll from your home. We can look at and debate the CULTURAL side of Rock all day long without ever making any real progress on the problem at hand. Why? Because Rock & Roll music is not just cultural in nature, it is SPIRITUAL as well. As a matter of fact, ALL music is spiritual. It doesn't matter whether we're talking about electric guitars or French horns; those instruments don't play themselves! The music produced first begins in the heart and mind of the musician; it flows out from his or her spirit and is then channeled through the instrument, finally reaching the ears of the listener.
Music is spiritual communication in the truest sense. What kind of spirits are communicating to your children via Rock & Roll?...
...You must ask your teenager, on a one-on-one basis, "Why do you like Rock so much?"
One of the most common answers will probably be, "I like Rock because of the beat. It makes me want to dance." This is very true, but you should point out to your child that Rock & Roll, especially Heavy Metal Rock & Roll, is based on the Blues, a song style begun by the post Civil War American Negro sitting amidst destroyed plantations and burned out cities. Death and destruction was everywhere. It is a style filled with smutty sexual references and a "things will never get better" mentality. Both the Rolling Stones and Led Zeppelin started out as Blues bands. The Blues itself, with its churning twelve-bar changes stopping and starting in the same hypnotic sequence time after time, evolved from African voodoo beats and tribal music. Black slaves carried it with them on the Dutch and British ships heading for America. By the end of the Civil War, the Blues were born.
Rolling Stones' bassist Bill Wyman made these chilling comments about just how important the Blues are to HIS band:
"...Whenever we rehearse and learn new numbers, every other thing we play is a jam of an old Elmore James or Muddy Waters or Chuck Berry thing. I know a lot of people say, 'What are you playing that old stuff for?' But we're not doing it for sentimental reasons -- we're doing it to retain the FEELING of those blues and R & B (Rhythm & Blues) things."
That's why kids like the beat so much. That's why the music makes them want to start dancing. Over a century later, those evil African voodoo influences are still weaving their primitive spell on a whole new generation of American young people...
[Brown, Rebecca, MD (1986). He Came to Set the Captives Free (p. 62-63). Whitaker House.]
Chapter 6: The Wedding
...I was completely deceived by Satan. He lies to ALL of his servants. I thought I was the most powerful and knew everything about his organization. After I got out I realized that Satan doesn't tell any of his servants the truth about his activities or his organizations. Everyone of any position in Satan's kingdom is told that he or she is the greatest and most powerful. All of it is lies!
It was during this time that I met many of the well known Rock music stars. They all signed contracts with Satan in return for fame and fortune. The evolution of Rock music in the U.S. was carefully planned by Satan and carried out by his servants step by step...
Chapter 13: Doorways [pp. 145-147]
...Another area often overlooked, but very powerful, is that of rock music. Rock music is Satan's music. Like so many other things, the whole movement of rock music was carefully planned and carried out by Satan and his servants from its very beginning. Rock music didn't "just happen", it was a carefully masterminded plan by none other than Satan himself.
As mentioned earlier in the book, Elaine has personally met a great number of the rock stars. They have all agreed to serve Satan in return for money and fame. They have received all they wanted, but also much they didn't expect. Their very lives and souls are destroyed. These rock stars know exactly what they are doing. They are, step by step, teaching untold millions of young people to worship and serve Satan.
Elaine attended special ceremonies at various recording studios throughout the U.S. for the specific purpose of placing satanic blessings on the rock music recorded. She and others did incantations which placed demons on EVERY record and tape of rock music sold. At times they also called up special demons who spoke on the recordings--especially in the various backmasked messages. Also, in many, many of the recordings, the satanists themselves were recorded in the background (masked by the over-all noise of the music) doing chants and incantations to summon up more demons every time one of the records or tapes or videos is played. As the music is played, these demons are called into the room to afflict the person playing the music and anyone else who is listening.
The purpose of all of this? Mind control! Mind control not only to give the listeners understanding of the messages about Satan conveyed to them by the music, but also to prevent them from recognizing their need for Jesus and the salvation He died on the cross to give us.
Many of the song lyrics are themselves actual incantations calling up demons when the song is sung. The purpose of this is two-fold: to exert control over the listener and to provide the listener with actual incantations he or she can use to send demons upon another person. This is done to gain revenge by afflicting them with illness, accidents, etc. and also to help influence another person into the bondage of rock music itself...
...All these doorways must be closed.
"If we confess our sins, he is faithful and just to forgive us our sins, and to cleanse us from all unrighteous." I John 1:9.
If you have participated in any of these things you can simply close the door by a prayer such as the following:
"Father, I confess to you my involvement in ______. I recognize that such a thing(s) is an abomination to you and detestable in your sight. I humbly ask your forgiveness for my sin in this area(s). I ask you to lift out any demonic entrance as the result of my actions and to cleanse me from my sins and close the doorway(s) forever with the precious blood of Jesus. I ask for this and thank you for it, in Jesus' name."
Then I recommend that you address Satan and his demons out loud in a manner similar to the following:
"Satan and you demons, I have asked my heavenly Father for forgiveness for participating in ______ and have received it. I now by faith close the doorway of that area of my life to you forever through the blood of Jesus Christ shed on the cross for me. In the name of Jesus I command you to go away!"
Cases of infestation with the stronger demons will often need to have help from another person or persons for deliverance. If you pray earnestly and desire deliverance regardless of the cost, the Lord will instruct you as to what you need to do, and He will set the captive free...
[Godwin, Jeff (1988). Dancing With Demons: The Music's Real Master (p.126-127) Chick Publications]
Chapter 4 THE BEAT AS BAIT
...When it comes to using the satanic voodoo beat, rappers do not have a corner on the market. Some of the biggest names in rock have traveled to the ends of the earth seeking out the primitive tribal music of Africa, India and the Caribbean. Why do they soak up the atmospheres of the exotic places, record the local sounds of native musicians, then incorporate those beats and rhythms into their own tunes?
Because they know that the voodoo rhythms have a power that can be harnessed and transferred into their own music. Simply put, the voodoo beat is demonic, and the demons have power. Rockers who have sold out to Satan want that power, so they can control their fans and increase their own fame. That's why they'll span the globe searching for it. To reject these facts because of our own ignorance is unwise.
Many rock stars have made pilgrimages to the musical heart of Satan-country to recharge their spiritual batteries. Brain Jones of the Rolling Stones journeyed to Morocco, Africa in the mid-sixties to record demon conjuring ceremonies from the Joujouka tribe. The tapes were released under the title, "The Pipes of Pan." Much of the inspiration he received from these sessions was transferred to the next Stones album -- coincidentally called, "Their Satanic Majesties Request."
John Phillips of The Mamas and Papas also spent time in Marrakesh, Morocco with his wife Michelle in 1967. He sampled African dope, tripped his brains out on LSD and ate local delicacies like sheep eyeballs and stomach linings while the G'naoua drums incessant pounding sank into his stoned-out consciousness.
When Paul McCartney recorded his "Band On The Run" album in Lagos, Nigeria in 1973, the native musicians accused the ex-Beatle of stealing their music. Mick Fleetwood, drummer for the witchy pop super-group Fleetwood Mac, recorded his solo album, "The Visitor," in Ghana, using African musicians to get the sound and feel he wanted.
In 1972, Led Zeppelin giants Jimmy Page and Robert Plant journeyed to Bombay, India. With expensive sound equipment in hand, they walked the teeming and dusty streets, recording native performers. They rented a local studio and jammed for hours with Bombay's best. The tapes went back to England with them.
One of the Rolling Stones' most satanic albums, "Goats Head Soup," was made in Jamaica. The Caribbean is full of transplanted African voodoo, and this record literally drips with demonic influence. Guitarist Keith Richards hung out with the local dope-smoking Rastas, learning their guitar riffs and hypnotic stop-start rhythms, all of which were incorporated into the next few Stones albums.
These rockers and many others like them are constantly searching out literal voodoo music for their albums. Don't be fooled, they're seeking powerful witchcraft music...and finding it! Behind it all is their lord and master, Satan...
Godwin, Jeff (1990). What's Wrong with Christian Rock? (p.28-29) Chick Publications.]
Chapter 3 Is Music Really Neutral?
...Today Satan is pushing a massive lie to deceive and mislead multitudes of Christians. He has the whole C-Rock industry barking on cue like trained dogs. What are they saying?:
MUSIC IS NEUTRAL!
The neutrality of music is the root of the whole C-Rock controversy. If music is neutral, then anything goes. If not, then "Christian" Rock is a farce, a fraud and a destructive force powerful enough to blow churches apart.
Is music really neutral? The Biblical account of David's playing which drove away Saul's evil spirit (I Samuel 16:14-23) should bury that deception once and for all! Neutral music doesn't drive away demons, but David's music did. Yet many Christians today aren't satisfied with what the Bible says. They'd rather quench the Spirit, ignore the obvious, and buy the big lie. Why? To keep on sinning.
Let's use some common sense for a minute: If music is neutral, why did the thumping brass of that marching band at the football game make your pulse race? Why do they play that soothing Muzak in the dentist's office, if not to calm your nerves? And why did that passing car's blast of Heavy Metal noise make your heart pound?
The bottom line is: music is NEVER neutral! From barroom to church house, all music has some kind of positive or negative effect. Rock music is not neutral either. All Rock music promotes one thing: - animal lust...
[Prince, Derek (1998-05-01). They Shall Expel Demons: What You Need to Know about Demons--Your Invisible Enemies (p. 132-134). Baker Publishing Group. Kindle Edition.]
Ch 15 Is Witchcraft Still at Work Today?
Rock music is one of the main channels, and its potential for harm is fearsome. Here is a letter I received recently from a 33-year-old man. (A member of my staff responded and sought to help him.) I obtained permission to quote it:
Dear Mr. Prince,
I am writing to you today to tell you of my struggles with demonization. I know what I write probably won’t be new for you, but to friends, family and church leaders, I must look like a psychopath.
It all started when I was sixteen and started listening to one of my brother’s rock albums. This was not just any rock album, but a very demonic album. The album was by Black Sabbath, and the cover had 666 on the top with a demonic-looking creature peering at you. On the inside of the album was a picture of a man in bed with several demons (at least six or seven) around him as if to pounce on him. The look on the man’s face was pure agony. I only listened to it once or twice, but that was too many.
One day I heard a very peculiar noise coming from the stereo cabinet. When I bent over to reach for the doors, a force went in me or through me and pushed me back. This was a very distinct force, and I am sure that demons were involved. I had a thought that I should hide the album so no one could throw it away— surely this was from the demons. To this day I can’t remember where I hid it, even though I pray for remembrance.
Well, ever since then my life has been a living hell. These demons hold me down and paralyze me when I start to fall asleep. I can’t move, speak or open my eyes. All I can do is cry out mentally for Jesus to help me. These demons are vicious; they rape me in every way imaginable. (I could get graphic and give a more detailed account, but I don’t think that would be appropriate at this time.) This was an everynight ordeal for me from the time I was sixteen until I was 31. The sexual abuse started to subside when I started attending Bible study and church regularly.
Now, I know what you’re probably thinking: “Are you saved, and is Jesus Lord of your life?” I said the Lord’s Prayer when I was twelve with my mother at my side and have said it hundreds of times since then. This is due mainly to the fact that Christian friends, and everyone in any of the churches and Bible studies I’ve been to, tell me this can’t happen to a Christian. So, you see, I’m waiting for signs of my salvation by the evidence of my life getting back to normal. It is hard to believe or have faith when you are bombarded with so many conflicting reports. I can’t even think straight anymore, or hold down a job for more than six to twelve months. I’m not stupid; I earned an engineering degree. I’m just confused.
I come from a so-called Christian family; both my parents are born again, along with one of my two sisters. My only brother is not. My parents are supporters of your ministry but I don’t think they believe in demonization of people. I think this is because every time I bring it up, my father will weakly and timidly tell me to rebuke it in the name of Jesus and turn and walk away. My mother, on the other hand, refuses to acknowledge it and has even told my sister to stop discussing it with me. My mother’s side of the family has a potential demonic nature; her father (dead) was a Freemason and her mother (also dead) and two surviving sisters (living) out of three are involved with Eastern Star.
I know this letter sounds really crazy, but I hope it makes a little sense to you, and I wish I could tell you more, but that would mean writing a book.
Isn’t this tragic? A professing Christian is tormented by demons but receives no understanding, much less help, from fellow Christians. (I mentioned the danger of Freemasonry and its women’s affiliate, Eastern Star, in chapter 12.)
Obviously the young man was foolish to expose himself to forces so obviously satanic. But others are exposed to similar satanic forces in less obvious forms. The combined elements at a rock concert or discotheque, for example, also open the way for demons: deafening music with an insistent, repetitive beat; lyrics that range from mindless to blasphemous; strobe lights constantly fluctuating in color and intensity. The impact can break down a person’s ability to reason or exercise moral judgment, and thus open the way for demons, especially if alcohol or drugs are involved.
[Martin, Walter; Rische, Jill Martin; Gorden, Kurt Van; (2008). The Kingdom of the Occult (p. 420). Thomas Nelson.]
Ch 11 Satanism
SATANIC GROTTOS AND SMALLER SATANIST CULTS
Satanism is a large movement, but because of the lack of statistics, no one knows exactly how large it is. Several rock-and-roll bands are known as Satanic rock bands and have large followings, but that does not mean that all fans are Satanists. The first band that laid claim publicly to the title of Satanist was Black Widow in 1969, the same year The Satanic Bible was released. LaVey himself listed a few bands in his final interview. "King Diamond, The Electric Hellfire Club, Acheron, Marilyn Manson, Boyd Rice, Nine Inch Nails--the list is long. . . Today's Satanic bands are the vehicle of choice for millions of young people. If they encourage a study of real Satanism, I'm all For them" Some skeptics brush off LaVey as an authority on the spiritual practices of rock bands, but as one of the fathers of modern Satanism, LaVey was in a far better position to know the power of his philosophy and the names of its devotees.
LaVey promoted Satanism far and wide, and he did not seem [to] care if followers actually joined his Church as long as they practiced Satanism. The Church of Satan Youth Communique told young Satanists, "There is no one way that a Satanist is 'supposed' to be. . . . All you have to do to be a real Satanist is start living like one." This lack of formal membership makes it difficult to determine the exact number of practicing Satanists.
[LaRock, Christopher (2011-12-24). John Todd: Beyond The Legend (Kindle Locations 219-239). Christopher Allen LaRock. Kindle Edition.]
...Todd also became acquainted with the occult underbelly of the music world as well. He was made the owner of Zodiac Productions and got to know most of the popular rock stars and musicians of that time. The occult owned the company. But had placed him there as a front man.
His experiences made him privy to certain things that go on behind the scenes of the music industry that are carefully concealed from the public.
Master copies of new rock music albums were cut months in advance. They were then taken into a secret room with a pentagram carved into the floor. (located behind closed doors up by the managers offices) On a full moon, the master would be placed upon an alter so that witches could conjure up familiar spirits. They would then order them to have the demons working under them to follow every recording made from the master. As he put it:
“ . . . there are other things. Such as things, or belongings, that actually were created by the devil. Such as rock music. . . I want to specify this; I am down on this because I am an ex-witch. Without it, witches don't function. . . One of the things that I was supposed to be was the head of this Brenner Enterprises in Texas, which explains to the IRS why I was making all this money. It was a lot of money and one of the companies I was supposed to have owned was Zodiac Productions. The name gives it away. It was a booking agency in Texas; it's changed its name, but it's still the largest booking agency in the U.S. for Rock groups. It was the group that was originally responsible for bringing the Beatles to the U.S. I got to meet most of the groups. The Beatles were already apart when I was there, but I got to meet several of them off and on, and I met almost all of the groups that were in existence then, and a lot that are in existence now. I only found about this many (holds up a few fingers) that weren't occultists, that didn't confess when they were alone that their music came from ‘supernatural forces’, as they would put it . . . When witches do a book, they do a spell over the manuscript and they command demons which are under their authority to enter every manuscript that comes off the press, every copy of that book. So when you buy that book you get a little free gift, like when you open a little Cracker Jacks box and there's a little trinket in there. Well, you get a free demon, free of charge . . . Most of the rock groups do the same thing. And I know . . . Why . . . Records . . . zoomed to the charts. Many people tell me they do this so their records will be best sellers, and you get free of charge your own private demon.” - John Todd
But Todd was going disenchanted with a lot of what he was seeing. Witchcraft had always been just a religion to him, and none of the things he was involved with at that point had anything to do with what he had been raised with. It was nothing but politics, conspiracy, and shady activities at this level...
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Demons Behind the Music Industry
Former manager of Zodiac Productions John Todd testifies to the record industry's involvement in Satanism.
Master copies of rock records would be taken into an executive "temple room" to conjure a principality-level demon into it. Lyrics by song artists were also carefully written in "witch language" to passively induce listeners into inviting various demonic spirits.
[Chick, Jack (2013-10-17). Spellbound (The Crusaders Book 10) (Kindle Location 18-24). Chick Publications. Kindle Edition.]
[Reid, Gregory (2014-10-26). War of the Ages (p.269). CreateSpace Independent Publishing Platform.]
Ch 17 SPECIFIC DOORS OF ENTRANCE PART 1
Music is one of the most powerful means for demonic influence, and as we get closer to Jesus’ return, we see how Satan is becoming more blatant in the antichrist themes of bands and songs. From the comparatively innocent days of a young man named Elvis who brought “rebellious rock and roll” to the world, to the drugged out, occult themed bands of the sixties and seventies, to the Satanic rock bands of the 80’s, we have now reached a new level of occultic influence in music. It’s an age in which none of this shocks or is warned against. The music is simply ingested without filters. We never forget anything we’ve ever heard. Though we may not “recall” it consciously, we take it all in subconsciously, and the messages of anti-Jesus, drunkenness, drugs, sexual abandonment and violence is filling up a generation like filthy water in a well that is being consumed without any concern for its effects. Demonic and antichrist music unquestionably opens doors to the demonic realm. Famous artists now blatantly display upside down crosses, pentagrams, sing of the vilest of satanic themes, and no one bats an eye. We just keep making them richer by buying their products.
Dream Warfare Journal: 2015 Entries
March, 2015 (around 4 a.m.)
This one was quite vivid, in the sense that there was much going on. It also felt to have lasted significantly longer than anything, prior.
This entry showcases how effectively Satan uses music to lead away and deceive many.
Prior to falling asleep, I was pleading the blood of Jesus in my mind and commanding demons (in a general sense) to "enter the pit", over and over. It was early morning hours; about 4 am, or so.
Just upon dozing off, I heard this audible, hushed voice hiss out something like "oh sh--!".
...upon coming to in lucid-dream state, I was in this wide open house with hard wood floors, and with multiple rooms. I immediately saw demons of various forms entirely surrounding me within my line of sight.
Suddenly -- and as a fan of music I am being very genuine and candid here -- the absolute BEST heavy metal music starting blasting out from somewhere in this house (and no TV or anything was turned on in my bedroom, in the physical). It was unlike anything I've yet heard on the radio or Internet, nor on any CD that I used to own. It had just the perfect strumming guitar, heavy bass chords, and this staccato-like, intense bass drum beat that I've yet to hear any heavy metal/hard rock drummer pull off.
It would've made something like Metallica or Slayer or [insert your favorite band here] seem tame, or even amateurish, by comparison!
As this sheer adrenaline-pumping song started booming, I felt compelled by a "higher authority" to start "cleaning house" and fighting these things. I (as I thought...) commanded the "armor of God" to be placed upon me, with something as I recall resembling a white short sword representing the "sword of the Spirit".
In my unrestrained soul body, I proceeded to go to war.
Strikes...back elbows...and head butts to ward off attacks from behind me -- I felt like Rambo cleaning house. At one point, I peered down into the hallway into this pitch-dark room on the first door to the right. The door creaked open as this tall, menacing...shadow-form thing manifested from the darkness and just stood from the inside (I get creeped just recalling it). That seemed to be the room where this supernatural metal song was booming from.
At this point, my memory gets sketchy. I do recall after a certain point of fighting, though, that something just wasn't...right, and that I was being led along.
Upon thinking this, I called out to the higher power urging me and shouted, "Did Jesus Christ come in the flesh?!"
...the action then stopped.
After a momentary passing of time...I now found myself in a bedroom crouched, on my hands and knees, upon a king-sized bed.
And I was not alone.
To articulate this as cleanly as possible, I was surrounded on this bed by a harem of demons taking the forms of ghastly attractive, naked women. I say "ghastly" in the sense of their manifested perversion. To illustrate: one darker-skinned woman had an unnaturally widened pubic region in the shape of a bat (i.e. the hairline unnaturally stretched out across her hips).
I didn't stay on that bed very long!
My memory gets sketchy here again, but I believe I spoke something at one of these "women" off to the side near a room closet (shamefully, I think I gave in to temptation here; from which the Holy Spirit mercifully pulled me out).
I awoke from this shortly after.
- - - - - - -
To summarize this vivid encounter: Satan knows his music, and is indeed a master at composing something, of any genre, that will entice and draw away people. He'll also combine this with any and every other form of perversion (sexuality being among the most prominent) to enhance the snare.
Dream Warfare Journal: 2015 Entries
September 25, 2015 (around 12 am)
I recall being in my current house, within the hallway area right between the kitchen and living room. I was in the process of doing considerable house cleaning (taking out trash and washing down the floors, I believe).
At some point, a CD player turned on in the kitchen that began playing a song by a band named Godsmack called 'Bad religion' (I was introduced to this band, through friends, when I was around 15). This version that played in my dream, though, was much more unsettling. The instruments sounded washed out, and were overwhelmed by this...loud, unsettling, monotone-ish, bass-like strumming (tough to describe...). The vocalist was also very different here, as it was similar to someone deeply roaring/growling out the lyrics instead of singing them.
After a short while of this song playing, I said out loud [I recall there were one or two people there in the house with me. Not entirely sure if they were demon or angel spirits] something like "this song just isn't appropriate", and went over to the small blue CD player (something that we used to own, in the physical) and opened the tray, taking the CD out. The cover of the CD was completely white, save for something that looked like a flame of fire designed around the middle. With the CD now in my left hand, I proceeded to bend it in half and squeeze, attempting to shatter it in two. I recall it being quite tough to do, and was rather surprised at the difficulty. I believe, though, that I at least managed to bend it enough to permanently damage it.
Afterwards, I took the damaged CD into the utility room, where I had a bag of trash collected in the center of the cement floor (nothing else seemed to be present in that room), which was toppled over and spilling out some onto the ground. I threw the CD in the trash bag and proceeded to pick up the rest of the spilled-over contents back into the bag. From here, this part of the dream ended...
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Eagles - Hotel California (backmasked)
At 4:47 to 4:53, the following can be clearly heard: "...Yeah Satan had help...he organized his own religion...".
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ELO - Eldorado (Reversed)
Starting from 4:54 to 4:59, the lyrics "He is the nasty one. Christ, you're infernal" are clearly spoken.
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Led Zeppelin - Over the Hills and Far Away (backmasked)
The author of this video plays a reverse clip of this song. From 0:50 to 0:57, the following is heard: "...He is not mistaken...Satan is really loyal...I want Satan in..."
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Led Zeppelin - Stairway to Heaven (Backwards)
From 3:07 to 3:38, one can audibly hear the following lyrics: "There is no escaping it...here's to my sweet Satan...who makes me sad, whose power is Satan...He'll give..you 666...us suffer sad Satan...
|File Size:||2984 kb|
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Queen - Another One Bites the Dust (Backwards)
Beginning from 1:09 to 1:17, the phrase "Start to smoke marijuana...start to smoke marijuana" is repeated, in sync to the rhythm of the reverse chorus.
(this phrase can also be heard, intermittently, throughout the rest of the song)
|File Size:||11391 kb|
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Bob Dylan Admits He Sold His Soul
to the Devil For Fame
(starts @1:59): Quotes from Bob Dylan in the interview.
"Well, it goes back to the 'destiny thing'...I made a bargain...with it a long time ago, and I'm holding up my end."
[when asked who he made the bargain with]
"(nervous laughter) With, you know, the chief, the chief commander...in this earth and the world we can't see."
|File Size:||39740 kb|
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Korn - Rotting in Vain
(SATANIC ILLUMINATI MUSIC INDUSTRY EXPOSED)
Exposes the occult/Satanic imagery present in one of Korn's most recent music videos. Disappointingly, professing Christians Brian "Head" Welch and Reginald "Fieldy" Arvizu returned to the band
Korn frontman Jonathan Davis (in a Rolling Stone article) also admits to being inspired by teachings from
the Satanic Bible.